Mid-Summer Night 1979
Woodblock print on paper
Image Size: 492 X 634mm (194 x 25m)
The above is a wood block print on paper,
and I like the fact that it is a woodblock print on paper. That in itself
appeals to me. The materiality of the work suits the very starkness and
simplicity of the image. The big white flowers at the front, and the fine
blocky white detail in behind I find interesting. The black against the white, the
white outline of the black hill, this scene speaks to me of the hilly landscape
of inner-city Wellington.. I also enjoy the fact that colour has been edited
out and this is a tonal piece. Once again, this is a busy scene, yet I find the
artist’s intention to be clear. The scene is without people and is pretty. A
cluttered feel pervades the landscape. The flowers seem to converge from their
flat space, and the detail is both
figurative and abstracted. Everything is loosely rendered, yet the symbolic intention
is clear. I can recognise the telephone poles, the hill in the background, the
chunky housing: inner suburbia awake at night. I like the fact that this is a
highly New Zealand cityscape in that Wellington is a uniquely New Zealand city,
and perhaps New Zealand’s most iconic city. There is a conflicting feel between
the nature of the flowers and the hills against the looming man-made clutter. A
tension comes out of this, a tension between nature and perhaps the
urbanisation of the land. The era this work was made coincides with the
fledgling moments of the Eco/Green movement within New Zealand, and I feel that
the work is in tune with this development. New Zealand politics interests me,
and is something I wish to embody within my own practice, whether abstracted or
symbolic or figuratively.
I enjoy the
punchiness of this work, and the linear, stark contrasts. Once again, there is
a three dimensional quality to it, and a business that works. I like the
editing out, the keeping in, the sense of overcrowding and competition for breathing
space, of chaos, of clutter, of damage to the environment.
No comments:
Post a Comment